Jimi Hendrix的英年早逝，叫乐评人认定这是摇滚乐坛在十九世纪的最重要损失之一，他迷幻的吉他手法，将个人灵气与音乐结合得叫听者动容，能够将吉他弦变成如人类的舌头，会讲话，会令人开心，落泪。今之这张Electric Lady land的VCD，就制成一张Jimi Hendrix自传式的影像纪录，收入Hendrix演出的片段，在音乐制作时的认真态度，完全是冲破时空活现眼前。而且也访问了不少乐坛中人，例如 Steve Windwood，Eddie Kramer(他是ElectricLadyland大碟的录音师)，亦有Hendrix的经理人Chas Chandler，亦即是Animals的bass手，从他们的说话中，皆对这位天才给予极高赞赏，更可看出他们是言出于心。VCD中，当然也少不了收入 Hendrix的live performance，在台上他就如著了魔的投入，这里面就有All Along The Watchtower，Gypsy Eyes，Crosstown Traffic，Voodoo Chill……看见他完全投入的演出，指法如飞在吉他弦线上勾划出灵魂，当今之世，已没有一位吉他手有此能耐；这张Electric Lady land肯定是Hendrix迷的珍藏品，甚至是他一个音乐图监；就算你是初接触这名字，也可从这VCD中对他了解更多。这就是一个音乐必修课，课题是： Jimi Hendrix。

Jimi Hendrix的英年早逝，叫乐评人认定这是摇滚乐坛在十九世纪的最重要损失之一，他迷幻的吉他手法，将个人灵气与音乐结合得叫听者动容，能够将吉他弦变成如人类的舌头，会讲话，会令人开心，落泪。今之这张Electric Lady land的VCD，就制成一张Jimi Hendrix自传式的影像纪录，收入Hendrix演出的片段，在音乐制作时的认真态度，完全是冲破时空活现眼前。而且也访问了不少乐坛中人，例如 Steve Windwood，Eddie Kramer(他是ElectricLadyland大碟的录音师)，亦有Hendrix的经理人Chas Chandler，亦即是Animals的bass手，从他们的说话中，皆对这位天才给予极高赞赏，更可看出他们是言出于心。VCD中，当然也少不了收入 Hendrix的live performance，在台上他就如著了魔的投入，这里面就有All Along The Watchtower，Gypsy Eyes，Crosstown Traffic，Voodoo Chill……看见他完全投入的演出，指法如飞在吉他弦线上勾划出灵魂，当今之世，已没有一位吉他手有此能耐；这张Electric Lady land肯定是Hendrix迷的珍藏品，甚至是他一个音乐图监；就算你是初接触这名字，也可从这VCD中对他了解更多。这就是一个音乐必修课，课题是： Jimi Hendrix。

A documentary series about pop and rock albums that are considered the best or most distinctive of a well-known band or musician or that exemplify a stage in the history of music.

Jimi Headrix(1942-1970) 　　摇滚信徒心目中的神是一位瘦削的、有着忧郁的大眼睛和爆炸式卷发的黑人——Jimi Hendrix。不仅摇滚乐迷对他顶礼膜拜，许多摇滚巨星也奉他为英雄、偶像。人们把他和爱因斯坦、毕加索、卓别林相提并论，他们都是伟大的左撇子。

Jimi Headrix(1942-1970) 　　摇滚信徒心目中的神是一位瘦削的、有着忧郁的大眼睛和爆炸式卷发的黑人——Jimi Hendrix。不仅摇滚乐迷对他顶礼膜拜，许多摇滚巨星也奉他为英雄、偶像。人们把他和爱因斯坦、毕加索、卓别林相提并论，他们都是伟大的左撇子。

This special edition features all of the existing film footage from Jimi's incendiary June 18,1967 concert newly transferred to high-definition specs from the original 16mm camera original. Re-edited and presented in its original performance sequence. 　　Note - This is not the original Jimi Plays Monterey, made in 2007 it has a short documentary lead in to the complete concert footage which is why i'll list D.A Pennebaker as the director.

This special edition features all of the existing film footage from Jimi's incendiary June 18,1967 concert newly transferred to high-definition specs from the original 16mm camera original. Re-edited and presented in its original performance sequence. 　　Note - This is not the original Jimi Plays Monterey, made in 2007 it has a short documentary lead in to the complete concert footage which is why i'll list D.A Pennebaker as the director.

This installment of the Classic Albums series looks at the making of Lou Reed's seminal glam-rock solo album, Transformer, featuring a relaxed Reed (though decidedly less glam than he was in '72) looking like he's having the time of his life as he reminisces and isolates separate tracks to illustrate how the album came together. Bassist Herbie Flowers demonstrates how he recorded the swingy, impossibly catchy bass riff in "Walk on the Wild Side," and coproducer David Bowie makes a brief appearance, as do many of Reed's contemporaries and fellow musicians. Many express delight that the tracks sound as fresh as they did when they were recorded, especially "Vicious" and "Perfect Day." DVD bonus interviews include a fascinating tale from Reed on how he first met Andy Warhol--while he and the Velvet Underground were playing in a seedy Village café, being attacked by drunken sailors offended by one of their songs. --Anne Hurley 　　Lou Reed with the help of Andy Warhol at the 'Factory', made The Velvet Underground a massively influential band. However it was Transformer, Lou Reed's second solo album, which took him from cult hero of The Velvet Underground to international superstar status. 　　The program takes a track-by-track look at the album, which was produced by David Bowie and Mick Ronson. In an exclusive interview in New York, Lou Reed talks of the making of the album and together with Ken Scott, the original engineer, takes us through the multi-track tapes of "Perfect Day" "Vicious", "Satellite Of Love" and "Walk On The Wild Side" amongst others. In London Herbie Flowers shows us how the bass line on "Walk On The Wild Side" was recorded, creating what is one of the most famous riffs in popular music. Dave Stewart of the Eurythmics talks of Lou Reed's influence on him as a songwriter and musician. The program is illustrated throughout with archive footage of Lou Reed in concert, The Velvet Underground, Andy Warhol and the 'Factory' and features exclusive new acoustic material from Lou. 　　This program provides a unique insight into the process behind the recording of Transformer, which perfectly captured the spirit of the early 1970's, and illustrates why today it is still considered a truly Classic Album.

This installment of the Classic Albums series looks at the making of Lou Reed's seminal glam-rock solo album, Transformer, featuring a relaxed Reed (though decidedly less glam than he was in '72) looking like he's having the time of his life as he reminisces and isolates separate tracks to illustrate how the album came together. Bassist Herbie Flowers demonstrates how he recorded the swingy, impossibly catchy bass riff in "Walk on the Wild Side," and coproducer David Bowie makes a brief appearance, as do many of Reed's contemporaries and fellow musicians. Many express delight that the tracks sound as fresh as they did when they were recorded, especially "Vicious" and "Perfect Day." DVD bonus interviews include a fascinating tale from Reed on how he first met Andy Warhol--while he and the Velvet Underground were playing in a seedy Village café, being attacked by drunken sailors offended by one of their songs. --Anne Hurley 　　Lou Reed with the help of Andy Warhol at the 'Factory', made The Velvet Underground a massively influential band. However it was Transformer, Lou Reed's second solo album, which took him from cult hero of The Velvet Underground to international superstar status. 　　The program takes a track-by-track look at the album, which was produced by David Bowie and Mick Ronson. In an exclusive interview in New York, Lou Reed talks of the making of the album and together with Ken Scott, the original engineer, takes us through the multi-track tapes of "Perfect Day" "Vicious", "Satellite Of Love" and "Walk On The Wild Side" amongst others. In London Herbie Flowers shows us how the bass line on "Walk On The Wild Side" was recorded, creating what is one of the most famous riffs in popular music. Dave Stewart of the Eurythmics talks of Lou Reed's influence on him as a songwriter and musician. The program is illustrated throughout with archive footage of Lou Reed in concert, The Velvet Underground, Andy Warhol and the 'Factory' and features exclusive new acoustic material from Lou. 　　This program provides a unique insight into the process behind the recording of Transformer, which perfectly captured the spirit of the early 1970's, and illustrates why today it is still considered a truly Classic Album.

This addition of Disraeli Gears to the acclaimed Classic Albums series features brand new interviews with Clapton, Baker and Bruce, along with lyricist Pete Brown, Atlantic Records founder Ahmet Ertegun, John Mayall and Manfred Mann. Also included on the DVDare acoustic performances, original studio tracks and archival live footage. Included are additional interviews and analysis of the tracks, Exclusive acoustic performances, exclusive solo piano performance and previously unreleased full live performances. Though they were only together for two brief years (1966-1968), the London-based power trio Cream changed the face of rock with their jazz-schooled psychedelic blues--and never more so than on their 1967 classic DISRAELI GEARS. This program offers a critical review of the landmark album through archival footage, rare live performance clips, and interviews with rock critics, musicologists, and band members.